shot taken with nikkor 70-200mm f2.8 VR mounted on nikon d80 at 1/40s f/2.8
The very basics of panning a shot is by using a slower than usual shutter speed while continuously focusing on the subject while it is moving, producing a relatively sharp subject with a blurred background. This method gives the shot a feeling of movement and speed. It is achievable by keeping the subject in the same position of the frame along one single plane for the duration of the exposure. An SLR camera is preferred while taking panned shots. The aid of a monopod or tripod is handy to keep the framing in one single plane.Here are some tips and tricks that I’d like to share in producing a panned shot.
shot taken with nikkor 70-200mm f2.8 VR mounted on nikon d80 at 1/250s f/5.0
Tracking. Track the subject smoothly with your camera as it approaches. It is best to position yourself parallel to the moving subject, making it easier for the camera to track. Try to move only your upper part of your body, waist up. Use the support of monopods or tripods for those huge telephoto lenses of yours to keep it steady.
One shot, one kills. It is a 50-50 chance of getting it perfect. It took me many sporting events to get it right. Try to avoid using continuous burst settings and set your camera to single shot when shutter is released. Time your shot well. Learn your camera characteristics. Older cameras and entrée level digital SLR tends to have shutter lag.
shot taken with nikkor 70-200mm f2.8 VR mounted on nikon d80 at 1/40s f/22.0
Be well prepared. Early birds get the worm. Pack your gears earlier so that you will not leave anything behind. Monopod, tripod, additional memory cards, fully charged batteries, not to forget, some variety of lenses and your camera body. I’ve learned that getting up early and being at the location early is essential to produce better images. Being at location early allows me to setup my gear properly without any rush. In addition, I’ll be able to scout a variety of photographing spots. Anticipate the movement of the subject by taking a minute or two by learning where, how and at what speed the subject is moving and passing by.
shot taken with nikkor 70-200mm f2.8 VR mounted on nikon d80 at 1/800s f/2.8
Patience is virtue. Panning requires a lot of practice, and I mean, a lot. Practice makes perfect. Don’t give up. Take it up as an experimental approach. Take some safety shots. It really doesn’t matter if you freeze the subject. This will help motivate us to keep it going. In a way, we’ll end up with some useable ones instead of just having a collection of blurry images.
There are no limitations or rules with panning. You may also experiment taking panned shots with your speedlight. Though, it will only work if the subject is close to you. Set the flash setting to “Rear Sync” while photographing subjects in the dark.
Keep in mind that the subject panned will not be as crisp and sharp. The main idea is to get the subject relatively yet sharper than the background. Adding some blur to the subject can help provide more impact and motion feeling to the image.
Go ahead and try it out. Hope that my sharing will somehow help you in getting the shots that you want. All the best!
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